The Emmys have come and gone, and we are poised to begin the television season all over again, with new and returning shows hitting the airwaves over the next month. What better time for a final look back on how we felt about the season that was? Here we present a comprehensive ranking of every comedy series, drama series, reality series, variety series, miniseries, made-for-TV movie, talk show, game show and daytime drama we watched last season. Just kidding, we didn’t watch any talk shows. (For more on the process, see the notes below.)
Game of Thrones The show has everything I love — exceptional production values, careful character development, plots with payoffs in both the short term and long term, people getting it on, moments that somehow continue to be shocking even when the audience knows to expect them to be, brilliant acting on a regular basis. MVP: It’s impossible to pick just one, so I’ll say Lena Headey and Pedro Pascal, two opposing forces of misery and joy, wrath and vengeance, hatred and love.
Veep So sharp and funny, I love this show even when I’m worried half the jokes are going over my head. MVP: There’s no denying the mighty comedic prowess of Julia Louis-Dreyfus.
The Mindy Project The second season found a 30 Rock-like vibe and pacing that revved up the hilarity even more, while becoming even more heartfelt and lovable. MVP: Mindy Kaling is everything here, but honorable mention to the other half of the pair that really makes this show sizzle, Chris Messina.
The Americans This severely underrated drama is methodically brilliant and never boring, while never resorting to histrionics or stunts. MVP: Matthew Rhys has gotten a lot of well-deserved praise, but Keri Russell is still the most captivating performer on the show.
Hannibal As underrated as The Americans, but that’s about where the similarities end. There is no way to expect the unexpected twists with every stunningly grotesque episode of this masterpiece. MVP: Hugh Dancy’s work as Will Graham in this second season was exceptional.
Trophy Wife That this endlessly charming ensemble never caught on is one of the greatest tragedies of the 2013-14 season of television. Every episode made me not only laugh, but also smile. MVP: It’s tempting to pick the adorable Albert Tsai, but the most standout in this terrific group is Michaela Watkins, who breathed such life into wacky Jackie.
Survivor What a thrilling season it was, which is not easy for a show that’s now had dozens of seasons and seemingly already tried every trick in the book. A triumph of casting for sure. MVP: Perennial underdog Spencer, who everyone wanted to believe in even though there was no reason to.
Days of our Lives I’m not even grading on a curve here. The show had a fantastic 2013-14 season, and the quality of every episode is a real marvel considering the show airs five days a week, year round. MVP: Eileen Davidson, aka Queen Eileen, whose Kristen DiMera left a trial of destruction to entertain us for months after she was gone.
Pretty Little Liars Season four may not have been quite the pinnacle achievement that was season three, becoming a smash hit and needing to draw out your central mystery for seasons longer than anticipated will do that, but it continued to be thrilling, exciting, frustrating, edge-of-your-seat viewing. MVP: Ashley Benson, whose Hanna had it pretty rough from start to finish.
Looking This under-the-radar gem about gay friends San Francisco felt like a new concept, despite not really being one, by keeping the drama toned down enough to feel honest and relatable. MVP: Do I have to pick between Murray Bartlett and Jonathan Groff? Both great.
Project Runway Like Survivor, this old dog learned a few new tricks in its summer/fall 2013 season, producing an entertaining season from a talented group, with a winner the audience could get behind. MVP: The oft-imitated but completely irreplaceable Tim Gunn.
Scandal Almost made top notch just for being so damned entertaining, but a little too heavy on predictable melodrama and over-the-top twists. Just a little. MVP: Sorry, Kerry, but Bellamy Young made the character who is easiest to root against the show’s most sympathetic.
So You Think You Can Dance Another great installment in summer 2013 (and even better this past summer), but the lack of a proper results show hurt the proceedings. MVP: Endlessly adorable winners Amy and Fik-shun.
American Horror Story: Coven The series’ strongest installment to date, kicking girl power aside to take woman power to a whole new level. MVP: Angela Bassett as the deliciously wicked Marie Laveau.
The Normal Heart Another take on the 80s AIDS crisis could easily have been boring, but this was far from it, filled with righteous indignation and glorious speechifying. MVP: Matt Bomer spent the movie’s second hour just tugging at the heartstrings, and without his character I’m not sure I would have cared.
Sleepy Hollow Everything old is new again, but this solid re-imagining of the legend feels more like the heir apparent to Fringe, but based in the out-and-out supernatural rather than extreme science. MVP: I have to give Tom Mison the slight edge, but he and Nicole Beharie absolutely sizzle together. Both excellent.
Supernatural It’s impressive how consistently entertaining this show continues to be, striking the perfect balance of high stakes and humor to make it perfectly addictive. Plus Sam and Dean are television’s hottest brothers. (Sorry, Property Brothers.) MVP: Jensen Ackles, who gets all the best lines because he delivers them perfectly.
Brooklyn Nine-Nine Consistently funny and enjoyable, though it would probably be even more enjoyable if it strayed from making main character Det. Jake Peralta right all the time. MVP: Andre Braugher does a remarkable job with a character who is almost completely expressionless.
Louie Louie has one of the strongest and most distinct voices of any series on television, allowing for some extremely hilarious highs but also perhaps a little too much dwelling on some of its more morose themes. MVP: Louie CK, clearly.
Community After a “gas leak season” that was a shadow of its former self, the show returned to some of its former glory. Despite a good season, though, it’s hard not to feel the show hasn’t outgrown itself in many ways. MVP: No one and everyone. The ensemble works so well together, but no one stood out in season five.
Hart of Dixie Charming and delightful as always, Dixie did fall short of the standard set with its stellar second season, and seemed to spend much of this one wondering where most of its characters should go next or retreading plots that should be settled. MVP: Kaitlyn Black, whose character Anna Beth is, outside of Zoe Hart herself, the show’s biggest draw for me.
Parks and Recreation This is an example of what can happen when a sitcom doesn’t try to keep its characters static. The show is still quite good, but we feel at the point where things are changing too much or the changes feel unnatural. I miss the days of simple Pawnee park problems. MVP: Amy Poehler still rules.
Jeopardy! Another fun season of answers and questions! The Battle of the Decades was great, though it might have had more punch if not scattered across the season so much. MVP: “Jeopardy Julia” Collins, the lovable champ whose winning streak is now second only to that of Ken Jennings.
The Crazy Ones I actually loved this show, but it felt more like a light half hour drama than a proper comedy, and while the late great Robin Williams shined, Sarah Michelle Gellar, the big draw for me, was generally the straightwoman or sidelined. MVP: Williams is obviously great, but Amanda Setton made the somewhat aimless role of Lauren must-see.
The Killing The first half of the season was very strong, but I never got around to watching the second half, despite my love of homeboy Det. Holder, so obviously not that strong. MVP: Peter Sarsgaard is killer. Literally?
The Goldbergs Another strong new offering of the past season, this frequently funny piece of 80s nostalgia was just overshadowed a little by the seasons other new shows. MVP: Overbearing momma bear Wendi McClendon-Covey should have been an Emmy nominee for her work here.
Dallas While Dallas hardly even aspires to be more than just your average primetime soap, the intricate and well-planned plotting makes it feel totally worth watching. MVP: Linda Gray runs the emotional gamut as the boozy former Miss Texas whose family is constantly falling apart.
Eh . . .
Cougar Town Like Community and Parks and Rec, this show, despite still being enjoyable to watch, feels like it should be finished by now, which is probably why half the season is still sitting on my DVR. MVP: Josh Hopkins, whose Grayson feels like the only character that still has all of his original zing.
Camp Did anyone else even watch this show that felt like a camp movie extended into a series? I love it because I love camp movies, but it had its issues. MVP: As Kip, Tom Green was the show’s most relatable character.
Girls Girls always has its moments — Beach House was a stellar episode — but the show and the characters largely went off the rails in season three. MVP: Alison Williams as Marnie is my guilty pleasure, but Andrew Rannells really stole the show.
Nashville After playing out what seemed like every plot imaginable during the first season, I was pleasantly surprised the show paced itself in the second season rather than just going completely insane. That said, some of the stories and characters were as dull as dishwater. MVP: Hayden Panettiere is the reason to watch this show.
Revolution Revolution was a mess from the get-go, but found an identity that kind of worked during its second season. Too bad it continued to be obsessed with the scifi artificial intelligence aspect of the storyline. MVP: To my surprise, David Lyons, as Monroe somehow became the writers’ favorite character in season two.
The Sound of Music Live! This wasn’t so bad! MVP: Audra MacDonald.
The Soup Sure, it’s a production mess, but it’s always funny and a great way to get the gist of all the even worse shows on air the previous week. MVP: Who wouldn’t happily spend a half hour watching Joel McHale grin devilishly?
Super Fun Night This wasn’t so bad, either! It was disappointing, for sure, but the show started to find a groove that worked for itself and its characters by the time it ended. MVP: Even not as funny as she could be, Rebel Wilson is still really funny.
White Collar Maybe it’s that the show ran out of cool tricks to show or that the Neil/Peter bromance can only go so far without nullifying the show’s premise, but the season was less fun than usual and a little frustrating. MVP: Matt Bomer, especially since the show’s whole selling point is that we love Neil no matter what he does.
New Girl Talk about disappointing. The return of Coach should have helped the season soar higher than before, but the Jess/Nick pairing and the characters’ intensely selfish behavior tanked it. MVP: Lamorne Morris, as Winston was surprisingly the season’s best character.
The Carrie Diaries It’s hard for any show to live in the shadow of a television legend, and the more time Carrie spent in New York, the more this felt like a Sex and the City knockoff. The high school drama that made me like the show in the first place was replaced by teens having real world drama, way less fun. MVP: Donna LaDonna (Chloe Bridges), who should have her own show.
The Millers Not terrible, but it’s hard not to resent the show when a better comedy airing after it languished in terms of viewership. MVP: Margo Martindale’s character is just okay, but she really makes the most of it.
Saturday Night Live Some of the past season’s changes worked, while many did not, but at least they kept trying things, and keep trying things. MVP: Overall, probably deserving Emmy nominee Kate McKinnon, but it is impossible to forget Cecily Strong’s epic performance in that Blue River Dog Food commercial parody.
Mom Halfway through the season, I couldn’t see the appeal and just stopped watching. MVP: No offense to the performers, but none of them had any draw for me.
Glee A frustrating season of a frustrating show. Just when they seemed on the verge of making it work by moving the show to New York, those storylines either went off the rails and into snoozeville. MVP: Lea Michele totally owned the season, and stepped up her comedy game.
True Blood The summer 2013 season of the show did some good things, but not enough to make up for just general attrition of interest in the show’s central plot or some of its character blunders. MVP: Making her triumphant return as Sarah Newlin, the lovely and talented Anna Camp.
2 Broke Girls This show almost didn’t make the list at all, because I completely forgot I watched it, which means I won’t miss it when I stop. MVP: Jennifer Coolidge is at least reliably amusing no matter what stupidity she’s being made to say.
Revenge The show fortunately cast aside its nonsensically convoluted conspiracy plot, but replaced it with pure nonsense and WTF character choices. MVP: Madeleine Stowe is still the best thing about the show’s ridiculous storylines.
How I Met Your Mother Never again will I stick it out with a show I’m not enjoying just to see how it ends. I wanted to punch myself for not stopping this two seasons ago. MVP: Cristin Milioti’s addition might have been the only good thing about the season.
America’s Next Top Model And somehow this was even worse. Adding men into the mix should have made the season of Top Model fun and exciting, even if messy and a bit of a trainwreck, but unlikable contestants and ridiculous eliminations helped render the season rather joyless. MVP: Johnny Wujek (sorely missed on the current season) and contestant Phil were by far the season’s most enjoyable aspects.
This is merely a completely subjective ranking of shows I watched for all or a significant part of the 2013-2014 season. A show qualified if I saw at least half of its airing, which means half the episodes of a series, or for a movie or special, at least half of that movie or special. Shows which I’ve enjoyed in the past but of which I have not yet seen the most current season, like Breaking Bad or Homeland, could not be ranked. The rankings do take into account expectation and standing in the public arena. For example, if hypothetically an acclaimed series like Girls was, in my opinion, equally enjoyable as its less-buzzed-about lead-out Looking, Looking would be ranked higher. You know, hypothetically. Also, when selecting MVPs, a performer’s standing within the show was taken into account. For example, Scandal revolves around Kerry Washington’s Olivia Pope, so she’s obviously going to have a big impact. If someone in the supporting cast were to make anywhere near that impact, that person would likely steal the MVP prize from the main star. This is not to diminish the contributions of the main star, but rather to put the acknowledgement of each performer’s contribution into perspective. Feel free to voice any strong agreements, disagreements, additions, etc. in the comments!